Through his frequent references to Romantic poetry and painting, Rafman continually presents himself and the subjects of his videos, installations, sculptures, and images as wanderers on a quest, exploring uncharted (virtual) territory in search of the Sublime, in the form of a lost ideal or a transcendent experience.

Quelle: This Is Where It Ends: The Denouement of Post-Internet Art in Jon Rafman’s Deep Web – Momus

Related Posts